Was Bedeuten Diese Worte?

You arrive at your dorm thirty minutes later than you planned due to bicyclists, uncooperative street lights, and women walking side by side with baby strollers, taking up the entirety of the sidewalk and forcing you out into the traffic filled streets where drivers are more than willing to damage their car’s body work andContinue reading “Was Bedeuten Diese Worte?”

Through the Looking Glass: Self-Knowledge Through Reading in “Frankenstein” (Part 1 of 2)

The novel Frankenstein; or the Modern Prometheus has been capturing the imagination of the public since it was first published in 1818. It has become canonical, with school children all over the world reading it, dissecting it, and perhaps attempting to author a similar creature of their own. However, the meaning of Frankenstein’s Creature hasContinue reading “Through the Looking Glass: Self-Knowledge Through Reading in “Frankenstein” (Part 1 of 2)”

Fantasy

This piece is dedicated to Aradia (@Writer_Princess), a lovely writer who may or may not have promised me a ride on one of her pet dragons in exchange for this piece 😉 Thank you so much, Aradia! -5° Fahrenheit with a wind-chill of -20 and it was just past midday. With the setting of theContinue reading “Fantasy”

Inspiration – Sweating the Small Stuff

I came to the world of comic books fairly late in my adolescence. It was actually a love of Joss Whedon’s Buffy the Vampire Slayer that first drove me to enter what was, at the age of sixteen, the forbidding comic shop in my town. Several years, over five ComicCons (the local Emerald City ComicConContinue reading “Inspiration – Sweating the Small Stuff”

Control and Character: Defining a New Subject in Galatea (Part 2 of 2)

It seems that the emergently popular world of electronic literature has provided readers with a possible solution to this issue of control. Interactive fiction provides the reader with something they never really had with print: agency. Take, for example, a work like Emily Short’s Galatea. This work is written entirely in second person, a formContinue reading “Control and Character: Defining a New Subject in Galatea (Part 2 of 2)”