VII. The Fembot and Humanity’s Future: Conclusion American feminist and activist Susan Brownmiller once said that “Women are all female impersonators to some degree” (“Feminization”). Judith Butler would certainly agree with this statement. Butler, when read through a feminist point of view, argues that the socially acceptable persona of femininity is completely constructed for theContinue reading “Feminism and the Figure of the Fembot (Part 7 of 7)”
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Feminism and the Figure of the Fembot (Part 6.2 of 7)
VI. Phyllis, Ellery, and Landon: The Transgression/Failure of the Fembot However, in Landon’s reading of Adventures of the Artificial Woman, the critic believes the subversion comes not from Phyllis’ status as a machine performing femininity, or even as a machine developing its own consciousness, but from her rejection of the male authority of her maker.Continue reading “Feminism and the Figure of the Fembot (Part 6.2 of 7)”
Feminism and the Figure of the Fembot (Part 5.2 of 7)
V. Fembot Fatale: Gender and Consciousness Performance in Battlestar Galactica Sharon, the other Cylon character mentioned previously, is also a character highly coded with ideas of motherhood. Unlike many of the other female characters on the show, the audience never sees Sharon act sexually. At most, Helo and she share a few on-screen kisses, butContinue reading “Feminism and the Figure of the Fembot (Part 5.2 of 7)”
Feminism and the Figure of the Fembot (Part 5.1 of 7)
V. Fembot Fatale: Gender and Consciousness Performance in Battlestar Galactica The ultimate melding of the Femme Fatale figure with the figure of the Fembot can be found in the modern remake of the 1970’s television series, Battlestar Galactica in the character known simply as Number 6. For those unfamiliar with this sci-fi staple ofContinue reading “Feminism and the Figure of the Fembot (Part 5.1 of 7)”
Feminism and the Figure Fembot (Part 4.4 of 7)
IV. Imperfect Perfection: The Fembot, the Femme Fatale, and the Male Psyche The Fembot and the Femme Fatale are two artistic archetypes that clearly share much in common. Yet, there is another female archetype that arose from the film noir cinema of the thirties and forties. Janey Place refers to this figure as “the virgin,Continue reading “Feminism and the Figure Fembot (Part 4.4 of 7)”