VI. Phyllis, Ellery, and Landon: The Transgression/Failure of the Fembot This trope of newly created ‘intelligent’ machines exposing human failings is exercised quite starkly in a novel written by the prolific science fiction author Thomas Berger, titled Adventures of the Artificial Woman. In this work, as in the Battlestar Galactica example above, the Fembot hereContinue reading “Feminism and the Figure of the Fembot (Part 6.1 of 7)”
Tag Archives: Film Noir
Feminism and the Figure of the Fembot (Part 5.2 of 7)
V. Fembot Fatale: Gender and Consciousness Performance in Battlestar Galactica Sharon, the other Cylon character mentioned previously, is also a character highly coded with ideas of motherhood. Unlike many of the other female characters on the show, the audience never sees Sharon act sexually. At most, Helo and she share a few on-screen kisses, butContinue reading “Feminism and the Figure of the Fembot (Part 5.2 of 7)”
Feminism and the Figure of the Fembot (Part 5.1 of 7)
V. Fembot Fatale: Gender and Consciousness Performance in Battlestar Galactica The ultimate melding of the Femme Fatale figure with the figure of the Fembot can be found in the modern remake of the 1970’s television series, Battlestar Galactica in the character known simply as Number 6. For those unfamiliar with this sci-fi staple ofContinue reading “Feminism and the Figure of the Fembot (Part 5.1 of 7)”
Feminism and the Figure Fembot (Part 4.4 of 7)
IV. Imperfect Perfection: The Fembot, the Femme Fatale, and the Male Psyche The Fembot and the Femme Fatale are two artistic archetypes that clearly share much in common. Yet, there is another female archetype that arose from the film noir cinema of the thirties and forties. Janey Place refers to this figure as “the virgin,Continue reading “Feminism and the Figure Fembot (Part 4.4 of 7)”
Feminism and the Figure of the Fembot (Part 4.3 of 7)
IV. Imperfect Perfection: The Fembot, the Femme Fatale, and the Male Psyche Having established the connection between these two liminal models of femininity, only one question remains unanswered: why create these figures that by their very nature cannot conform to societal established archetypes of womanhood in the first place if they must ultimately be destroyed?Continue reading “Feminism and the Figure of the Fembot (Part 4.3 of 7)”
Robin Jeffrey 